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THE FIRST OF MANY PROPOSALS DUE BUT FEW

With this blog I'd like to put other communication and others like me are tired of seeing people marvel at the works that no longer contain traces of human beings, who have wondered where she is heard sing the praises of the art masterpieces photos developed with the effects-based programs for retouching, which they need in the art of looking for exclusivity and that dissolve when a 'work without the artist who produced it could not exist, because in the passage between the idea and the work quality does not fade.

After this introduction will expose my proposal.

I make certain artistic choices that lead me to take the forgotten elements of nature, residues such as shadows and color of the landscape and then reassemble them in the laboratory and without changing the substrate of the first draft of shadows, draw pictures plausible.

I'd like to get some contact with people who have felt the same need,
people who have decided to interact with nature in their own way, drawing inspiration from then be able to organize an event or a group or anything that gives us the opportunity to make our voice heard from the pack.

www.sticchibus @ yahoo.it-stefano
Facebook Vasconcelos (in which case let me know with a message that you hear about Shadow Thieves)

Bubbles Blowing Sayings

Hello and welcome to Blog Shadow Thieves ..
I'm
STEFANO Vasconcelos, who was born in 1980 and living in Trieste in northern Italy a few steps from slovenia.

I am a creative person and always full of ideas and one of them is my way of painting.

In an art scene that uses and abuses the resources made available by digital technology have come galloping to the consideration that to defend the nature of human creativity from extinction and to protect the art from the attacks dall'esasperante need to impress result, my form of expression must be a fluid interaction between nature and my filter setting as a constraint digitalizing the absence of any interference.

In my view art I rediscovered the pleasure of the artist is to recognize the paternity of the idea as his own ability to put it into practice.

A return to the past with today's eyes
some to symbolize that man now has his methods and references that were once mechanical and then become digital
some to whisper that the man did not hear the need to edit images with pre-packaged programs until the time he had not been made available so short as to suggest humiliating shortcuts.